Hip-Hop: Today’s Civil Rights Movement?
By: Scott Simon
The article is about an author named Todd Boyd who wrote a book called The New H.N.I.C: The Death of Civil Rights and the Region of Hip-Hop. The book compares Hip-Hop culture with Martin Luther King Jr. and the Civil Rights Movement.
In a Weekend Edition Saturday Interview with NPR’s Scott Simon, Todd Boyd states, “Martin Luther King Jr. and his politics are very specific to a certain time and it is important for us to learn from that, but if we want to talk about the present and future, Hip-Hop is more immediate and more relevant.” Black Power has moved away from the suffering and into Hip-Hop, which is more active, aggressive, and more revolutionary.
Boyd also states, “Hip-Hop uses languages as a weapon, not a weapon to violate or not to offend, but as a weapon that pushes the envelope that provokes people, makes people think”.
The acronym for his book, The New H.N.I.C: The Death of Civil Rights and the Region of Hip-hop is a reference to a phrase in the “1970’s-Head nigger in charge.” N-i-g-g-e-r has always been seen as a racist word and a root word for slavery. Hip-Hop then changed the word to N-i-g-g-a. Rapper Tupac Shakur said, “N-i-g-g-a stands for Never Ignorant Getting Goals Accomplished.”
I agree with the article that Martin Luther King Jr. and the “I have a Dream” speech helped African Americans get equal rights. We still thank Martin Luther King Jr. for desegregation and we will always keep him in our minds. The “I have a Dream” speech was a true life experience; without Martin Luther King Jr., equal rights for all might not exist today. We have learned from this experience and now people are seldom rejected for something solely based on race.
Today people more often express their feelings through Hip-Hop. Artists to express their true feelings about what is really happening in their lives use hip-Hop. Everything in Hip-Hop has meaning and it comes from the heart and soul of the person. It is based on true real life experiences. Hip-Hop is the culture and lifestyle of music and has become nationally and internally popular.
Hip-Hop comes with a beat or a dance that catches a person’s eye or ear and can be expressed in many forms such as graffiti art, emceeing, deejays, or break-dancing. It can be heard in cars, the clubs or just walking down the street; it is becoming more and more popular everyday.
The language of music has changed. The word N-I-g-g-e-r to me has been used as a word of racism and a root of slavery. I have heard people of the African American race say it to themselves and I haven’t ever figured out why as it seems to me they would be insulting themselves. Hip-Hop has changed the word to N-i-g-g-a, which rapper Tupac Shakur says “N-i-g-g-a stands for Never Ignorant Getting Goals Accomplished.” From that statement, it seems to me that people are unaware of getting goals accomplished. People set their minds to one thing and another minute it changes.
Overall, Todd Boyd’s book The New H.N.I.C: The Death of Civil Rights and the Region of Hip-Hop seems like a really good book I would enjoy reading. Todd Boyd makes a lot of sense in the comparison of Hip-Hop becoming more popular than the Civil Rights Movement. The Civil Rights Movement has come and gone and now the future is ahead with Hip-Hop. Hip-Hop has become the next revolutionary movement.
Work Cited
Simon, Scott. Hip Hop: Today’s Civil Rights Movement? NPR Program. March 2007.
< storyid="1178621">.
Saturday, March 31, 2007
Discovering the Power of Hop-Hop
The Leader
The article is about a Hip-Hop empowerment camp called Hip-Hop Hope located in Alexandra at Crescent Beach in Canada. The camp runs from March 19 to March 23 for ages 14 through 18. The cost of $265 includes lodging, meals, supplies, and the cost of recording.
Camp Hip-Hop Hope is coming to the United States in April to the Tierra Learning Center in Leavenworth, WA. The camp will be held April 11-15 and will cost $230.
Gita John is the director of Hip-Hop Hope. Ms. John says “Hip-Hop Hope will bring together artists, youth mentors and teenagers to spend five days building a community and learning about the history of Hip-Hop as a youth-driven creative tool for social change”. The teenagers will experience connecting with people with multicultural backgrounds.
Participants will learn the process of making an album and record a full-length album. First, the participants will start by creating the lyrics, then a beat, and third, going to a recording studio to record a song. They will also get to witness the process of how the song is recorded on the album.
Hip-Hop Hope is sponsored by the Power of Hope and Society (registered charity). The co-sponsors are the Youth Philanthropy Council of the Vancouver Foundation, Knowledge Aboriginal Youth Association (KAYA), and Vancouver Department of Parks and Recreation.
A lot of teenagers would probably attend a Hip-Hop Hope camp in Virginia as it would give them an opportunity to get off the couch, have fun, and meet a variety of other teenagers and artists as well as learn the history of Hip-Hop. They would learn where Hip-Hop started and how it became famous. Going to Hip-Hop camp would be a great learning experience and create memories that would last a lifetime.
The Leader
The article is about a Hip-Hop empowerment camp called Hip-Hop Hope located in Alexandra at Crescent Beach in Canada. The camp runs from March 19 to March 23 for ages 14 through 18. The cost of $265 includes lodging, meals, supplies, and the cost of recording.
Camp Hip-Hop Hope is coming to the United States in April to the Tierra Learning Center in Leavenworth, WA. The camp will be held April 11-15 and will cost $230.
Gita John is the director of Hip-Hop Hope. Ms. John says “Hip-Hop Hope will bring together artists, youth mentors and teenagers to spend five days building a community and learning about the history of Hip-Hop as a youth-driven creative tool for social change”. The teenagers will experience connecting with people with multicultural backgrounds.
Participants will learn the process of making an album and record a full-length album. First, the participants will start by creating the lyrics, then a beat, and third, going to a recording studio to record a song. They will also get to witness the process of how the song is recorded on the album.
Hip-Hop Hope is sponsored by the Power of Hope and Society (registered charity). The co-sponsors are the Youth Philanthropy Council of the Vancouver Foundation, Knowledge Aboriginal Youth Association (KAYA), and Vancouver Department of Parks and Recreation.
A lot of teenagers would probably attend a Hip-Hop Hope camp in Virginia as it would give them an opportunity to get off the couch, have fun, and meet a variety of other teenagers and artists as well as learn the history of Hip-Hop. They would learn where Hip-Hop started and how it became famous. Going to Hip-Hop camp would be a great learning experience and create memories that would last a lifetime.
Work Cited
Discovering the power of hip hop. The Lender. March 2007.
<http://www.powerofhope.org/index.htm.>.
Discovering the power of hip hop. The Lender. March 2007.
<http://www.powerofhope.org/index.htm.>.
Sunday, March 25, 2007
New York vs. Graffiti Artist
The New York train system hurt the growth of Hip-hop by cleaning the graffiti off of the trains. They tried to keep graffiti artists from painting the trains by putting up layers of barbwire and using vicious dogs to keep graffiti artists out. They tried to stop Hip-hop, but to me, they didn't succeed.I don't think graffiti artists hurt Hip-hop; they made Hip-hop stronger. Graffiti artists found ways around the system so they could still put up their masterpieces. Some of the graffiti on the trains brought life to those who rode trains. Instead of seeing this plain boring train you see everyday of your life, graffiti artists brought color to people’s eyes. They brought a unique art to the city of New York. New York did try to stop graffiti artists by putting cleaners on the trains so the paint would not stick, but the graffiti artists found other ways to put up their masterpieces. The train system put up barbwires around the train yard to keep graffiti artists out, but sometimes that didn't even work. They still found a way into the trains and created beautiful works of art.
The New York train system hurt the growth of Hip-hop by cleaning the graffiti off of the trains. They tried to keep graffiti artists from painting the trains by putting up layers of barbwire and using vicious dogs to keep graffiti artists out. They tried to stop Hip-hop, but to me, they didn't succeed.I don't think graffiti artists hurt Hip-hop; they made Hip-hop stronger. Graffiti artists found ways around the system so they could still put up their masterpieces. Some of the graffiti on the trains brought life to those who rode trains. Instead of seeing this plain boring train you see everyday of your life, graffiti artists brought color to people’s eyes. They brought a unique art to the city of New York. New York did try to stop graffiti artists by putting cleaners on the trains so the paint would not stick, but the graffiti artists found other ways to put up their masterpieces. The train system put up barbwires around the train yard to keep graffiti artists out, but sometimes that didn't even work. They still found a way into the trains and created beautiful works of art.
Subscribe to:
Posts (Atom)